We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Governor's Square

by Chamber Band

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

  • Full Digital Discography

    Get all 4 Chamber Band releases available on Bandcamp and save 70%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Careers in Owego, Governor's Square, Careers, and Deities. , and , .

    Purchasable with gift card

      $8.40 USD or more (70% OFF)

     

1.
when I was young, a boy of ten while at my father’s side I learned to travel time my eager mind was his to bend we worked until the dawn i dreamt amongst his dark devices I wound the clock I sealed the door I sent my father back for more the sharpened crack the smoldering air his young assistant pries his red and bleary eyes not gone for long, but gone for good i wait to hear him speak he talks to me in tones advanced I wound the clock I knew the score I sent my father back for more
2.
Perfect Time 02:23
so what did i see in the machine — in twelve years time? I was upset we were estranged and some fault was mine had to speak my mind at the perfect time now, presently placed, I can erase I can hit undo I can reset I can restore make the world anew I can reset time take us back to fine with a well placed line though i think there’s a force against me pushing back, like the timeline is sensing it’s so and every time that i straighten the record a new argument springs to life from the ether it’s so strange to me can it be that our fates are both sealed? that the power you gave is a false one to wield? and if so, it affirms my fear whatever path i clear only buys us years so what can i do living now with truth — time won’t yield or bend? each moment we pass inches forward to the last resolutions end? maybe get on fine live in my own time celebrate what’s mine
3.
Little Wars 02:37
4.
Rigid Math 03:28
my father rang for me when he was feeling low awash in lantern light obsessing in its glow I played my part and gave him faith in his own path but saw the hell it wreaks this world of rigid math and at the time, couldn’t hope to understand what consumed my old man I watched the flick of the plume in his hand as be pursued some master plan as he pursued some kind of ancient key unifying everything it all comes together who could sleep? the answers nearer crawl to his side and look in the light I must have faded then ’cause night turned into day I saw the lab transformed his work was brushed away I grabbed my coat and went upstairs to draw a bath and tried to think of anything but rigid math and in time lost the urgency to prove the endless proofs consuming you and found a way to digest and understand: i hate the math but love the man
5.
Dust 02:29
my mother came to my bedroom, parted the curtains at first light i turned away under covers, shouted invectives GOOD GOD WHY she said: my son, you know why she said: my son, you know why she said: my son, the dust also awaits us any day could be the day you die and i just thought, well ain’t that something morbid? to go each day, expecting it all ending but went along i went along my father took to the study, guzzled his coffee as he aged i saw him sleep in the parlor work every hour in a daze he said: my son, you know why he said: my son, you know why he said: my son, the dust also awaits us any day could be the day you die i left for school traversed a lonely ocean i watched my friends i monitored their motions i came of age i asked the aged and wealthy they couldn’t tell me where you’d gone i held the bars of the manor hoping to get some sense of home and said: good god, I know why I said: good god, I know why I said: good god, the dust also awaits us any day could be the day we die
6.
Before Iping 04:27
I knew him well long before trials and tribulations long before hurt and accusations he’d traveled miles… I took him in said there was “room to spare” lit a fire, fed him pie, and tried to find meaning behind his stare recalled our time in the Governor’s Square and said: “I’ve seen the curve of your cheek, so what’s the use, hiding beneath your spectacles blue in the light? I know your skin and you know mine.” day after day I’d find him occupied. mumbling, grumbling, fumbling, over lost fragments of his mind and when he failed to work through the night I’d wrap him up in my arms trying to calm the steady alarm said, “If anyone can bear the weight, I trust in us, I trust in fate.” “This is not your weight to bear, I’m just a ghost of a man that you cared for,” he gathered his things in a blur, and as he left I heard him curse the gods and viles and the bottles in his case the powders, the tonics, the code he couldn’t break I closed my eyes and imagined his face a distant arrangement of textures and shapes I heard him go the floor creaked and I was alone his speech was soft and morose a still silhouette of a hat and a cloak I clung to the warmth of the bed uncertain of whether it was all in my head sometimes I wish he was here but for all I know…
7.
8.
In Iping 02:01
I pack my bag ring my brother tell him i’ll be home tonight board the train ten after two take a seat pull out the paper from the suitcase at my feet and read a strange report from Iping sources say chaos and bloodshed erupted in the streets of Iping even the witnesses question the truth that they’re telling in Iping they don’t mention a name but i fear for your life I take a cab make conversation collect my luggage, rap the door arrange my face to hide the fear distant thought ever-nagging echoes in my worried mind If only I’d been there in Iping perched at the foot of your bed talking you through the crisis in Iping would anybody be dead if you’d told me you were bound for Iping? I cannot say it with certainty, but I know.. it’s simply an article, I should let it go
9.
once i woke in the dark double beat in my heart and i called for my mother she came and she gathered me up in her arms laughed it off — as i cried wiped the tear from my eye told me “child, the sounds up in the attic are far from only sounds in your mind there’s a man at the top of the stairs so you stay on the landing it might seem like you’ve seen him before but that’s a misunderstanding things change and people seem to lose all reasoning but you’re safe trust that i’ll protect you and if you see the man call for me i’ll be there comforting don’t be scared mothers here things change and people seem to lose all reasoning but you’re safe trust that i’ll protect you and if you see the man pay no mind to what he says pay no mind to how he lingers if you see the man, move along call for me i’ll be there don’t be scared mothers here”
10.
he kept a lock from the millionaire inside his coat pocket, inside an old tin i turned it over and pulled out a hair and begged for forgiveness, but I had to ask why he couldn’t say — not to his only son — was perhaps some day he’d have the need to “grow one of his own” we jarred the fingers of a known local thief we studied those prints and the joints underneath he bought me tobacco and an elixir to heat told the green grocer’s brother to get far more sleep but he couldn’t say, not to his only son was it’s a bad day, when he couldn’t keep with the seeds he had sewn i took the ferry from Governor’s Square bought a book on the landing and bottled the air and stared at the city from a terrible height watched the water grow dim and the gas lanterns light it was just then, me looking down on the city below i was with him and i felt the need to “grow one of my own”
11.
i’ve seen the end firsthand and can say with certainty the year that we’ll be making our last stand and it’s sooner than you think but feels farther in my mind though the moment we collapse is on a permanent rewind and after that it’s space and silence in our stead and there’s no one left but me to estimate the tally of the dead and estimate i have back in my own time and i feel a tiny shiver when that number comes into my mind

about

These songs were constructed in the spring of ’16 by a select team of music professionals and audio tinkerers. Guitars and vocals were tracked in a big house in sunny Burbank with two cats and a Lucy. Piano, select percussion and ambient sound were tracked at Pipes Canyon Lodge in Pipes Canyon, California. Bass was recorded in Anthony’s bedroom in Echo Park. Additional percussion was recorded at Spaceworks in Williamsburg. Some songs were workshopped at the Dramatist’s Guild in New York City.

Endless thanks to our Los Angeles family who opened up their homes and hearts to us while we made this machine together: namely Steve and Pamela Molton, Andrea Finlayson, Adam Bowers & Whitney Teubner & Barb, Chris Milliken, Christina Reynoso, Andrew Disney, Monica Taylor Halchishick & Kyle Smith & Connor Wanless. A huge thank you to Raul Cuellar for bending his rules for us and upping our sound quality. Our New York team was also clutch, transmitting good vibes to us from (near and) afar: specifically Melanie Rose Thomas, Simon Ban, Kelly Tieger, and Bella Esser. This album is dedicated to Aunt Judy.

Chamber Band is Anthony Cerretani, A.Sarr, Chris Littler, Sam Monaco, and Ellen Winter.

credits

released September 18, 2017

Produced by Charles Wanless, Chris Littler, and A.Sarr
Engineered by Charles Wanless
Mixed by Charles Wanless
Mastered by Gentry Studer at Epicenter Mastering
Artwork by Nick Greenwald
Art templating, fonts and inside cover by Aaron Nestor

All songs written by Chamber Band, with the exception of “The Man at the Top of the Stairs”, which was written by Kelly Tieger.

On these tracks Anthony and Chris took turns playing Kelly’s old acoustic guitar. A.Sarr and Ellen traded off playing the upright at Pipes. A.Sarr snuck in five chords on electric guitar. Sam and A.Sarr handled all the percussion, both digital and real. Anthony took over on broom and bass. It was delightful.

All lyrics written by Chris Littler & Ellen Winter, with “MATOTS” as the sole exception. Lyrics to that song were cowritten by Chris Littler & Kelly Tieger & Ellen Winter.

Critical funding provided by superfriends Mark Scheppe & Gene Wulff

Additional funding from our fanbase via Kickstarter. Thanks y’all. <3

license

all rights reserved

tags

about

Chamber Band New York, New York

Love, heartbreak, dragons.

contact / help

Contact Chamber Band

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

If you like Chamber Band, you may also like: